The frying pan Guitar in 1931/1932 the first electric lap steel guitar ever created, and one of the starting electric guitar, with the Stromberg Electro in 1928.
George Beauchamp made the instrument in 1931, and it successively manufactured by Rickenbacker Electro. The Guitar officially the Rickenbacker Electro A-22 got its nickname because its round body and long neck make it look like a frying pan.
It was developed to the popularity of Hawaiian music in the 1930s.
The instrument was made from cast aluminum, and start a pickup that a pair of horseshoe magnets that semi circled over the strings.
Beauchamp and mechanics Adolph Rickenbacker began selling the Frying Pan in 1932, but Beauchamp not given a patent for his idea until 1937, which permits other guitar companies to produce electric guitars in the same period.
In 1930s, Hawaiian music love popularity in the United States, Hawaiian music start the guitar as the main liquish instrument, and the sound of acoustic guitars was not much big for large audiences.
Beauchamp, an pro and player of Hawaiian music, mounted a magnetic on his acoustic steel guitar to produce an electrical signal that was electronically amplified to drive a loudspeaker, making a much louder sound.
After inventing that his system made many amounts of no wanted feedback from sympathetic vibration of the guitar’s body, Beauchamp changes that acoustic properties were actually week in an electric instrument.
George Beauchamp made the instrument in 1931, and it successively manufactured by Rickenbacker Electro. The Guitar officially the Rickenbacker Electro A-22 got its nickname because its round body and long neck make it look like a frying pan.
It was developed to the popularity of Hawaiian music in the 1930s.
Beauchamp and mechanics Adolph Rickenbacker began selling the Frying Pan in 1932, but Beauchamp not given a patent for his idea until 1937, which permits other guitar companies to produce electric guitars in the same period.
Beauchamp, an pro and player of Hawaiian music, mounted a magnetic on his acoustic steel guitar to produce an electrical signal that was electronically amplified to drive a loudspeaker, making a much louder sound.
After inventing that his system made many amounts of no wanted feedback from sympathetic vibration of the guitar’s body, Beauchamp changes that acoustic properties were actually week in an electric instrument.
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